| The kilt is a knee-length skirt with pleats at the | | | | fabric to be used in constructing the kilt, and will |
| rear, originating in the traditional dress of men and | | | | generally vary from about 1/2" to about 3/4". |
| boys in the Scottish Highlands of the 16th century. | | | | The depth is the part of the pleat which is folded |
| Since the 19th century it has been associated | | | | under the overlying pleat. It depends solely on the |
| with the wider culture of Scotland in general, or | | | | size of the tartan sett even when pleating to the |
| with Celtic (and more specifically Gaelic) heritage | | | | stripe, since the sett determines the spacing of |
| elsewhere. It is most often made of woollen cloth | | | | the stripes. The number of pleats used in making |
| in a tartan pattern. Hooded CloakThough the | | | | the kilt depends upon how much material is to be |
| Scottish kilt is most often worn mainly on formal | | | | used in constructing the garment and upon the |
| occasions or at Highland Games and sports | | | | size of the sett. The pleats across the fell are |
| events, it has also been adapted as an item of | | | | tapered slightly since the wearer's waist will be |
| fashionable informal male clothing in recent years. | | | | narrower than his hips and the pleats are usually |
| The Scottish kilt displays uniqueness of design, | | | | stitched down either by machine or by hand. As |
| construction, and convention which differentiate it | | | | the kilt is made of wool, it should not simply be |
| from other garments fitting the general | | | | cleaned in a washing machine along with other |
| description. It is a tailored garment that is | | | | laundry. Although the cloth is pre-shrunk, a |
| wrapped around the wearer's body at the natural | | | | washing machine would spoil the pleats and the kilt |
| waist (between the lowest rib and the hip) | | | | would need to be pressed. Instead, there are two |
| starting from one side (usually the wearer's left), | | | | main methods by which a kilt can be laundered: |
| around the front and back and across the front | | | | dry cleaning and hand laundering in cold or |
| again to the opposite side. The fastenings consist | | | | lukewarm water. Expert recommendations differ |
| of straps and buckles on both ends, the strap on | | | | on the better of these two methods. Tewksbury |
| the inside end usually passing through a slit in the | | | | and Stuehmeyer, in The Art of Kiltmaking, advise |
| waistband to be buckled on the outside; | | | | strongly against having the garment dry cleaned, |
| alternatively it may remain inside the waistband | | | | stating that "dry cleaning leaves a subtle residue |
| and be buckled inside. The kilt covers the body | | | | on the kilt" and, as a result, it "will soil more easily |
| from the waist down to just above the knees. | | | | after it has been dry-cleaned", but Matthew |
| The overlapping layers in front are called "aprons" | | | | Newsome, Curator of the Scottish Tartans |
| and are flat; the single layer of fabric around the | | | | Museum in North Carolina (USA), states that "it is |
| sides and back is pleated. A kilt pin is fastened to | | | | best to dry clean" the kilt, feeling that the kilt |
| the front apron on the free corner (but is not | | | | does not come into direct contact with the skin |
| passed through the layer below). Underwear may | | | | for very long and thus will not readily soil. In |
| or may not be worn, as the wearer prefers: in | | | | between wearings, the kilt should first be aired |
| some circumstances underwear is prohibited by | | | | out and then hung in a closet. One way to hang |
| military regulations, but is generally required, or at | | | | the kilt is to use a skirt hanger with large clasps. |
| least recommended, for activities such as dancing. | | | | The kilt is first folded twice in half along the waist |
| Organizations that sanction and grade the | | | | line. Then the skirt hanger is used to clasp the top |
| competitions in Highland dancing and bagpiping all | | | | of the kilt before it is hung in the closet. If moths |
| have rules governing acceptable attire for the | | | | are a problem, it can be hung with a cedar cache |
| competitors. These rules specify that the kilt is to | | | | or strips of cedar wood. Occasionally, the pleats |
| be worn (except that in the national dances, the | | | | may need to be re-pressed and this requires care. |
| female competitors will be wearing the Aboyne | | | | The authors of The Art of Kiltmaking advise that |
| dress) The history of the kilt stretches back to at | | | | the pleats should be basted down before pressing |
| least late 16th century Scotland. However, the | | | | so as to keep the pleats as straight as possible |
| nationalism of that tradition is relatively recent. It | | | | from the bottom of the fell to the bottom of the |
| was only with the Romantic Revival of the early | | | | kilt, thus preserving the look of the sett when the |
| 19th century that the highland kilt was adopted by | | | | kilt is worn. Today most Scotsmen regard the kilt |
| Lowlanders and the Scottish Diaspora as a symbol | | | | as formal dress or ceremonial national dress. |
| of national identity. People from other countries | | | | Although there are still a few people who wear |
| with Celtic connections, some Irish, Cornish, Welsh | | | | the kilt daily, it is generally owned or hired to be |
| and Manx, have also adopted tartan kilts in recent | | | | worn at weddings or other formal occasions, |
| times, although to a lesser degree. The kilt first | | | | much the same way as top hat and tails are in |
| appeared as the great kilt, a full length garment | | | | England or tuxedos in America, and may be worn |
| whose upper half could be worn as a cloak | | | | by anyone regardless of nationality or descent. |
| draped over the shoulder, or brought up over | | | | For formal wear, the kilt is usually worn with a |
| head as a cloak. The small kilt or walking kilt | | | | Prince Charlie or an Argyll jacket. (Commercial |
| (similar to the 'modern' kilt) did not develop until | | | | suppliers have now produced equivalent jackets |
| the late 17th or early 18th century, and is | | | | with Irish and Welsh themed styling.) The kilt is |
| essentially the bottom half of the great kilt. The | | | | also used for parades by groups such as the |
| typical kilt as seen at modern Highland games | | | | Scouts, and in many places the kilt is seen in |
| events is made of twill woven worsted wool. The | | | | force at Highland games and pipe band |
| twill weave used for kilts is a 2-2 type, meaning | | | | championships as well as being worn at Scottish |
| that each weft thread passes over and under | | | | country dances and ceilidhs. Certain regiments |
| two warp threads at a time. The result is a | | | | units of the British Army and armies of other |
| distinctive diagonal weave pattern in the fabric | | | | Commonwealth nations (including Australia, |
| which is called the twill line. This kind of twill, when | | | | Canada, New Zealand and South Africa) still |
| woven according to a given color pattern, or sett | | | | continue to wear the kilt as part of dress or duty |
| (see below), is called tartan. In contrast, the Irish | | | | uniform, though they have not been used in |
| kilt traditionally was made from solid color cloth, | | | | combat since 1940. Uniforms in which the kilt is |
| with saffron or green being the most widely used | | | | worn include Ceremonial Dress, Service Dress, |
| colours. [1] Kilting fabric weights are given in | | | | and Barracks Dress. The kilt is considered |
| ounces per yard and run from the very heavy | | | | appropriate for ceremonial parades, office duties, |
| regimental worsted of approximately 18??2 oz. | | | | less formal parades, walking out, mess dinners, |
| down to a light worsted of about 10??1 oz. The | | | | and classroom instruction/band practice. |
| most common weights for kilts are 13 oz. and 16 | | | | Ceremonial kilts have also been developed for the |
| oz. The heavier weights are more appropriate for | | | | U.S. Marine Corps, and the pipe and drum bands |
| cooler weather, while the lighter weights would | | | | of the U.S. Coast Guard and the U.S. Air Force. In |
| tend to be selected for warmer weather or for | | | | recent years, the kilt has also become increasingly |
| active use, such as Highland dancing. Some | | | | common in Scotland and around the world for |
| patterns are available in only a few weights. A | | | | casual wear, for example with the Jacobite shirt. |
| modern kilt for a typical adult uses about 6?? | | | | It is not uncommon to see the kilt worn at Irish |
| yards of single-width (about 26??0 inches) or | | | | pubs in the US, and it is becoming somewhat less |
| about 3?? yards of double-width (about 54??0 | | | | rare to see them in the workplace.[4] Casual use |
| inches) tartan fabric. Double width fabric is woven | | | | of the kilt dressed down with lace-up boots or |
| so that the pattern exactly matches on the | | | | moccasins, and with tee shirts or golf shirts, is |
| selvage. The kilt is usually made without a hem | | | | becoming increasingly more familiar at Highland |
| because a hem would make the garment too | | | | Games. The kilt is associated with a sense of |
| bulky and cause it to hang incorrectly. The exact | | | | Scottish national pride and will often be seen being |
| amount of fabric needed depends upon several | | | | worn, along with a football top, when members of |
| factors including the size of the sett, the number | | | | the Tartan Army are watching a football or rugby |
| of pleats put into the garment, and the size of | | | | match. The small ornamental Sgian Dubh dagger is |
| the person. For a full kilt, 8 yards of fabric would | | | | often omitted where security concerns are |
| be used regardless of size and the number of | | | | paramount (for example, they are not allowed on |
| pleats and depth of pleat would be adjusted | | | | commercial aircraft). For the same reasons, the |
| according to their size. For a very large waist, it | | | | traditional Sgian Dubh is sometimes substituted by |
| may be necessary to use 9 yards of cloth. One | | | | a wooden or plastic alternative, as its use is now |
| of the most distinctive features of the authentic | | | | largely ornamental (with only the hilt showing over |
| Scots kilt is the tartan pattern, or sett, it exhibits. | | | | the top of the hose). Though the origins of the |
| The association of particular patterns with | | | | Irish kilt continue to be a subject of debate, |
| individual clans and families can be traced back | | | | current evidence suggests that the kilt itself |
| perhaps one or two centuries. It was only in the | | | | originated in the Scottish Highlands and Isles and |
| Victorian era (19th century) that the system of | | | | was adopted by Irish nationalists at the turn of |
| named tartans we know today began to be | | | | the 20th century as a symbol of Celtic identity. [5] |
| systematically recorded and formalized, mostly by | | | | A garment that has often been mistaken for the |
| weaving companies for mercantile purposes. Up | | | | kilt in early depictions is the Irish 'Lein-croich', a |
| until this point, highland tartans held regional | | | | long tunic traditionally made from solid colour cloth, |
| associations rather than being identified with any | | | | with black, saffron and green being the most |
| particular clan. Today there are also tartans for | | | | widely used colours. Solid colored Irish kilts were |
| districts, counties, societies and corporations. | | | | first adopted for use by the Irish Regiments |
| There are also setts for States and Provinces, | | | | serving in the British Army, but they could often |
| schools and universities, sporting activities, | | | | be seen in late 19th and early 20th century |
| individuals, and commemorative and simple generic | | | | photos in Ireland especially at political and musical |
| patterns that anybody can wear. See History of | | | | gatherings, as the kilt was adopted as a symbol |
| the kilt for the process by which these | | | | of Gaelic nationalism in Ireland during this period. |
| associations came about. Setts are always | | | | [6] Tweed kilts were also not uncommon in both |
| arranged horizontally and vertically, never | | | | Scotland and Ireland and have been popular with |
| diagonally (except when adapted for ladies' skirts). | | | | sportsmen, fishermen, and hunters. Many "Irish |
| They are specified by their thread counts, the | | | | County" tartans were designed by Polly Wittering, |
| sequence of colors and their units of width. As an | | | | first produced in 1996 by the House of Edgar, of |
| example, the Wallace tartan has a thread count | | | | Perth in Scotland. Marton Mills in West Yorkshire |
| given as "K/4 R32 K32 Y/4" (K is black, R is red, | | | | produced a competing "Irish County Crest |
| and Y is yellow). This means that 4 units of black | | | | Collection" based on the colours from Irish county |
| thread will be succeeded by 32 units of red, etc., | | | | crests, resulting in tartans that are considered |
| in both the warp and the weft. Typically, the units | | | | aesthetically questionable by many traditionalists. |
| are the actual number of threads, but as long as | | | | There are also a number of "Irish District" tartans |
| the proportions are maintained, the resulting | | | | most of which are recent designs by Lochcarron |
| pattern will be the same. This thread count also | | | | of Scotland. The Ulster tartan is one of the oldest |
| includes a pivot point indicated by the slash | | | | registered Irish tartans. It was found by a farmer, |
| between the colour and thread number. The | | | | W.G. Dixon, in County Londonderry in 1956 as he |
| weaver is supposed to reverse the weaving | | | | uncovered pieces of clothing made from the |
| sequence at the pivot point to create a mirror | | | | design. The Belfast Museum and Art Gallery dated |
| image of the pattern. This is called a symmetrical | | | | the material from between the 1590s to 1650s. |
| tartan. Some tartans, like Buchanan, are | | | | Its exact origins are unknown, but it is likely that |
| asymmetrical, which means they do not have a | | | | came from a Scottish pioneer during the beginning |
| pivot point. The weaver weaves the sequence all | | | | of the Ulster plantation period when the Scots |
| the way through and then starts at the beginning | | | | first came in great numbers to Ulster. There are |
| again for the next sett. Setts are further | | | | other generic Irish tartans including the Irish |
| characterized by their size, the number of inches | | | | National, St. Patrick's, Tara, and Clodagh. Some |
| (or centimetres) in one full repeat. The size of a | | | | Irish family tartans have been appearing over the |
| given sett depends not only on the number of | | | | years, although these are few at the moment |
| threads in the repeat, but also on the weight of | | | | more are being created. O'Brien, Sullivan, Murphy, |
| the fabric. This is so because the heavier the | | | | Fitzpatrick, and Forde are fairly common |
| fabric the thicker the threads will be, and thus the | | | | examples of Irish family tartans. In present day |
| same number of threads of a heavier weight | | | | Ireland the kilt is still seen very much as being |
| fabric will occupy more space. The colours given in | | | | primarily Scottish, and the current crop of county |
| the thread count are specified as in heraldry, | | | | and district tartans is largely unknown in Ireland |
| although tartan patterns are not heraldic. The | | | | and indeed difficult to obtain, having been designed |
| exact shade which is used is a matter of artistic | | | | and marketed primarily for the Irish-American |
| freedom and will vary from one fabric mill to | | | | market. As they have been neither designed nor |
| another as well as in dye lot to another within the | | | | manufactured in Ireland itself it is questionable |
| same mill. Tartans are commercially woven in four | | | | whether they can be strictly described as Irish. In |
| standard colour variations that describe the overall | | | | the book District Tartans by Gordon Teall of |
| tone. "Ancient" or "Old" colours may be | | | | Teallach and Philip D Smith Jr (ISBN 0 85683 085 |
| characterized by a slightly faded look intended to | | | | 2) only three tartans are identified as being |
| resemble the vegetable dyes that were once | | | | distinctly Irish; these are Ulster, Tara, and Clodagh. |
| used, although in some cases "Old" simply | | | | As noted above the Ulster tartan originates from |
| identifies a tartan that was in use before the | | | | around 1590-1650 and is probably Scottish in |
| current one. Ancient greens and blues are lighter | | | | origin.[7] The Tara was first noted around 1880 |
| while reds appear orange. "Modern" colours are | | | | and was originally called Murphy. The Clodagh has |
| bright and show off modern aniline dyeing | | | | an earliest date of 1971 with uncertainty as to its |
| methods. The colours are bright red, dark hunter | | | | original designer or first appearance. Day-to-day |
| green, and usually navy blue. "Weathered" or | | | | kilt wearing is rarely if ever encountered. Within |
| "Reproduction" colours simulate the look of older | | | | the world of Irish dancing the boy's kilt has been |
| cloth weathered by the elements. Greens turn to | | | | largely abandoned, especially since the worldwide |
| light brown, blues become gray, and reds are a | | | | popularity of Riverdance and the revival and |
| deeper wine colour. The last colour variation is | | | | interest in Irish dancing generally. There are |
| "Muted" which tends toward earth tones. The | | | | exceptions to these trends in Ireland. A vibrant |
| greens are olive, blues are slate blue, and red is an | | | | piping scene in Ireland means that there are many |
| even deeper wine colour. This means that of the | | | | kilted bands throughout the whole of Ireland, |
| approximately 7,000 registered tartans available | | | | particularly in the north of the island[citation |
| there are four possible colour variations for each, | | | | needed]. The majority of these bands wear |
| resulting in nearly 30,000 tartans. Setts are | | | | tartan kilts, the solid colour saffron kilt being |
| registered with the Scottish Tartans Authority | | | | almost exclusively the preserve of the pipe bands |
| which maintains a collection of fabric samples | | | | of the Republic's Defence Forces and the British |
| characterized by name and thread count. In all, | | | | Army's Irish regiments. Although not a traditional |
| there are approximately 5000 registered | | | | component of national dress outside Scotland, the |
| tartans.[citation needed] Although many tartans | | | | kilt has become recently popular in the other |
| are added every year, most of the registered | | | | Celtic nations as a sign of Celtic identity.[8] Kilts |
| patterns available today were created in the 19th | | | | and tartans can therefore also be seen in Wales, |
| century by commercial weavers who had a large | | | | Cornwall, the Isle of Man, Brittany, the |
| variety of colours to work with. The rise of | | | | Tras-os-Montes region in the North of Portugal, |
| Highland romanticism and the growing Anglicization | | | | and Galicia in Spain, as well as parts of England, |
| of Scottish culture by the Victorians at the time | | | | particularly the North East. Nowadays with Welsh |
| led to registering tartans with clan names. Before | | | | nationalism on the rise and a resurgence of Welsh |
| that, most of these patterns were more | | | | national pride, the kilt (Welsh: Cilt)[citation needed]. |
| connected to geographical regions than to any | | | | Although they are generally seen these days in |
| clan. There is therefore nothing symbolic about | | | | formal settings like weddings, there has been an |
| the colours, and nothing about the patterns is a | | | | increase in the number of people wearing their kilt |
| reflection of the status of the wearer. Although | | | | to a rugby or football match, paired with a jersey |
| low quality kilts can be obtained in standard sizes, | | | | rather than a formal jacket[citation needed]. The |
| a quality kilt is tailored to the individual proportions | | | | St David's Tartan or brithwe Dewi Sant is one of |
| of the wearer. At least three measurements, the | | | | the most popular tartans in Wales, but individual |
| waist, hips, and length of the kilt, are usually | | | | family tartans are being produced, despite there |
| required. Sometimes the rise (distance above the | | | | being no evidence that the Welsh (or any other |
| waist) or the fall (distance from waistline to the | | | | Celtic nation for that matter) traditionally used |
| widest part of the hips) is also required. A | | | | tartan to identify families. Williams, Jones, Thomas, |
| properly made kilt, when buckled on the tightest | | | | Evans, and Davies are among the most popular |
| holes of the straps, should not be so loose that | | | | tartans and common names in Wales. The Welsh |
| the wearer can easily twist the kilt around the | | | | National tartan was designed by D.M. Richards in |
| body, nor should it be so tight that it causes | | | | 1967 to demonstrate Wales' connection with the |
| "scalloping" of the fabric where it is buckled. | | | | greater Celtic world. Its colours (green, red, and |
| Additionally, the length of the kilt when buckled at | | | | white) are the colours of the Welsh national flag. |
| the waist should reach a point no lower than | | | | There are currently 12 Breton tartans of which |
| halfway across the kneecap nor higher than about | | | | Brittany National (National Breton), Brittany |
| an inch above it. A kilt can be pleated with either | | | | Walking, Lead it Of and 9 tartans for the |
| box or knife pleats. A knife pleat is a simple fold, | | | | traditional countries which compose Brittany: |
| while the box pleat is bulkier, consisting of two | | | | Kerne, Leon, Tregor, Gwened, Dol, St Malo, |
| knife pleats back-to-back. Knife pleats are the | | | | Rennes, Nantes, St Brieuc. All Breton tartans are |
| most common in modern civilian kilts. Regimental | | | | officially recorded in Scotland. Contemporary kilts |
| traditions vary. The Argyll and Sutherland | | | | (also known as modern kilts) have appeared in |
| Highlanders use box pleats, while the Black Watch | | | | the clothing marketplace in Scotland [10], the USA |
| make their kilts of the same tartan with knife | | | | and Canada in a range of fabrics, including leather, |
| pleats. These traditions were also passed on to | | | | denim, corduroy, and cotton. [11] They may be |
| affiliated regiments in the Commonwealth, and | | | | designed for formal or casual dress, for use in |
| were retained in successor battalions to these | | | | sports or outdoor recreation, or as white or blue |
| regiments in the amalgamated Royal Regiment of | | | | collar workwear. Some are closely modelled on |
| Scotland. Pleats can be arranged relative to the | | | | traditional Scottish kilts, but others are similar only |
| pattern in two ways. In pleating to the stripe, a | | | | in being knee-length skirts for men. They may |
| vertical stripe is selected and the fabric is folded | | | | have box pleats, symmetrical knife pleats, or no |
| so that this stripe runs down the center of each | | | | pleats at all, and be fastened by studs or velcro |
| pleat. The result is that along the back and sides | | | | instead of buckles. Many are designed to be worn |
| of the kilt horizontal bands appear which look | | | | without a sporran, and may have pockets or tool |
| different from the front than from the back. This | | | | belts attached. Kilts are sometimes referred to by |
| is often called military pleating because it is the | | | | enthusiasts for their daily use as Male |
| style adopted by many military regiments. It is | | | | Un-bifurcated Garments or "Mugs", though strictly |
| also widely used by pipe bands. In pleating to the | | | | this term also covers other garments such as |
| sett the fabric is folded so that the pattern of | | | | sarongs which are regarded as viable alternatives |
| the sett is repeated all around the kilt (especially in | | | | to trousers (bifurcated garments). In 2008, a |
| the waistband). This is done by taking up one full | | | | USPS letter carrier, Dean Peterson, made formal |
| sett in each pleat, or two full setts if they are | | | | proposal that the kilt, as a Male Unbifurcated |
| small. This causes the kilt to look much the same | | | | Garment, be approved as an acceptable postal |
| from both front and back. Any pleat is | | | | uniform for reasons of comfort. The proposal |
| characterized by depth and width. The portion of | | | | was defeated at the convention of the |
| the pleat that protrudes under the overlying pleat | | | | 220,000-member National Letter Carriers' |
| is the size or width. The pleat width is selected | | | | Association. |
| based on the size of the sett and the amount of | | | | |